Credit Where Credit is Due...

Some people have wondered about the five preceding posts that are not about my work but are about the owners of the five area studios that were the host sites for the 2014 Tampa Bay Tour de Clay. Each of the people and studios profiled -- Glenn Woods and Keith Herbrand (Pottery Boys Studio), Ira Burhans (Clay and Paper Studio), Kim Kirchman and Mark Fehl (Hidden Lakes Pottery), Kim Wellman-Welsch and Harry Welsch (Wellman and Welsch Pottery), and Jack Boyle (San Antonio Pottery) -- have taught me much about about the art and the craft of pottery, about the business of art, about teaching, and about life.

So when the Tour participants were looking for someone to write some material promoting the event, Anne volunteered to write some general press releases. But she also wanted to write profile pieces on the studio owners, which they could then use as promotional pieces of their own.

Enjoy!

I'll be back soon.....

St. Petersburg native, now San Antonio ceramicist, ponders ‘intergalactic scavenger hunt’ in clay

Over his forty years as a potter, Jack Boyle, owner 
of San Antonio Pottery, says he has produced 
hundreds of thousands of mugs, goblets, trays, and 
other functional pieces. (Image courtesy of Jack 
Boyle/San Antonio Pottery)

Fifth in a series by Anne W. Anderson (the other half of "we") who visited with the studio owners hosting this year’s Tampa Bay Tour de Clay, a series of self-guided tour stops stretching from Palm Harbor to San Antonio

It was visits to his Uncle Al that started San Antonio potter Jack Boyle on the path to clay.

“I was maybe 5 or 7, but he’d let us play with the clay,” Boyle said. “Then he’d fire what we had made and send it to us.”

What Boyle didn’t appreciate at the time was that Uncle Al owned Jugtown Pottery in Seagrove, North Carolina, a pottery community with roots going back at least 200 years. Then Uncle Al sold the shop and the visits stopped.

A decade or so later, Boyle, born in St. Petersburg and a graduate of Lakewood High School, enrolled in the University of South Florida as an art major.

Jack Boyle records information from a 

kiln firing in one of hundreds of note-

books he has kept over the years. “I’m 

looking for the thread of consistency 

that will help me get similar results each 

time,” said Boyle. But the weather, the 

way the kiln is loaded, and other factors 

all affect those results. 

(Photo by Anne W. Anderson)

“I walked into the studio at USF, and the smell of the clay and the atmosphere in the studio brought those visits back,” Boyle said. Boyle graduated in 1977 with a degree in art and a concentration in ceramics.

He thought he would head south to the Ellenton area. But a friend of his knew someone selling a wheel and kiln and other equipment. He also had space to lease at a price Boyle couldn’t refuse.

There was one small problem. San Antonio, in a rural part of Pasco County—Boyle’s shop looks out on a hay field across the road—isn’t exactly teeming with potential customers. Boyle had to find ways to connect with a larger customer base.

“I did everything I could think of and never turned down an opportunity,” Boyle said.

“Everything” meant a grueling schedule of art and craft festivals, pitching his work to galleries across the country, selling work in his own shop, and teaching classes. More recently, he has begun producing videos featuring artists around the country. Boyle and his wife, Deborah Gillars, a recently retired high school art teacher, raised three children and put them through college. They built a home and kept adding to their shop.

Shelves filled with glazed mugs, bowls, and 

other functional pieces of service ware are 

ready to be rolled into the gas-fired kiln at 

San Antonio Pottery. (Image courtesy of Jack 

Boyle / San Antonio Pottery)

Boyle has created hundreds of thousands of mugs, bowls, and other functional stoneware pieces in his almost forty-year career. 

His work is rustic and earthy. What appears to be a small tree branch forms a pouring handle curved above a footed teapot glazed in river-blue and loam-brown. Bowls glazed in shades of dark coffee, cobalt and cream feature designs carved into the rims, dark lines evoking rolling foothills or the waves of a wind-rippled field of grass. Browns and blues and greens flow over vases’ carved bellies like streams over stones, inviting the hand as well as the eye to explore the surfaces.

But Boyle’s work isn’t just that of an artist. And some of his most important tools aren’t his wheel or kiln.

Boyle begins most pieces with a tape measure, a calculator, and calipers. His customers expect pieces of specific dimensions, so he measures the height, the width at the belly, and other spots of a finished model piece, using the metric side of his tape “because the system makes more sense,” Boyle explained.

“Then I add a percentage to the measurements to allow for shrinkage in the kiln,” Boyle said, tapping the keys of the calculator.

As he forms the new piece on the wheel, Boyle takes periodic measurements to be sure he is staying true to the model.

Other important tools are the gauges controlling the flow of propane into his gas-fired kiln and the pyrometer that tells him how hot the temperature is inside the kiln.

Names of scientists throughout history, along with the 

years of their births and deaths, cover Jack Boyle’s 

“Space Saucer,” a tribute to curiosity and discovery. 

(Photo courtesy of Jack Boyle / San Antonio Pottery)

“I always fire my pieces to at least 2300 degrees,” Boyle said, adding that doesn’t use lead or other toxins in his glazes.

Boyle’s gas kiln sits on his back porch and is so big the racks are built on a trolley that slides in and out of the kiln on metal tracks. Each time he checks the temperature in the kiln, Boyle records the information in a notebook. Later he reads through his notebooks.

“I have hundreds of these,” he said. “I’m looking for the thread of consistency that will help me understand how to get similar results each time. A change in the barometric pressure or the way I stack the pieces in the kiln can change the way the glazes work.”

Boyle estimates he has produced hundreds of thousands of mugs, trays, bowls, vases, and other functional art over the almost forty years he has worked as a potter. Recently, however, he has begun producing a more conceptual line of work.

The prose on Jack Boyle’s “Rocket Ship” begins 

with Neil Armstrong’s “That’s one small step…” 

quote from the 1969 moon landing but ends…

well, that would spoil it, wouldn’t it? Boyle, 

owner of San Antonio Pottery, says he is inspired 
by his voracious science fiction reading habit which 

fuels his thinking during15-mile morning bike rides. 

(Photo courtesy of Jack Boyle / San Antonio Pottery)

Many of the pieces in the series are shaped like rockets or saucers and feature Boyle’s musings about the universe, gleaned from his “voracious” reading habit and often surfacing during his 15-mile bike rides each morning on the back roads near San Antonio. One saucer-shaped piece features the names of various scientists through history, along with the years each lived on earth.

Boyle is fascinated by the ancient geoglyphs—massive images carved into the surface of the earth and visible only from the air—found around the world. One of those images, a 150-foot long spider that is part of the Peruvian Nazca line glyphs, appears in miniature form on one of Boyle’s rocket ships along with carved prose and the latitude and longitude of the glyph.

“Don’t you just wonder if those geoglyphs aren’t part of some sort of intergalactic scavenger hunt?” Boyle asked, his eyes twinkling at the idea.

Tour-goers following the south-to-north route will find Jack Boyle’s San Antonio Pottery studio listed as the last stop. Guest artists Michele Ginouves, Hil-Dee Bates, Maggie Clark, Barbara Ott, and Joel Ott will display their work throughout the shop, and Jack will open his large kiln out back around 5 p.m. Join the party, too—there will be music, an antique Coke cooler with beverages, and lots of festivity. 

2014 Tampa Bay Tour de Clay, December 13 & 14, Blends Science, Math, Art

Shelves filled with glazed mugs, bowls, and other 

functional pieces of service ware are ready to be 

rolled into the gas-fired kiln at San Antonio Pottery, 

the last stop on the south-to-north route of the 2014 

Tampa Bay Tour de Clay. Each studio has different 

types of kilns and uses different firing techniques. 

(Image courtesy of Jack Boyle)

Science and math teachers may want to take a field trip this weekend to five local science labs aka ceramic studios. The studios form the stops on the 2014 Tampa Bay Tour de Clay, a weekend-long ceramics open house.

Ask San Antonio potter Jack Boyle about the scientific method, for instance, and he’ll bring out one of his hundreds of notebooks recording decades of firing experiments. “I’m looking for the thread of consistency that will help me understand how to get similar results each time,” said Boyle. “A change in the barometric pressure or the way I stack the pieces in the kiln can change the way the glazes work.”

Talk about the physics of kiln building with Lutz potter Harry Welsch, who taught AP Physics for many years. Or discuss the chemistry behind glazes with Odessa potter Kim Kirchman, also a professor at St. Petersburg College in Clearwater, or with any of the other artists participating in this year’s Tour.

“For me, pottery was a way into other subjects like math and science,” said Glen Woods, of Palm Harbor. 

This year’s Tour takes place December 13 and 14 from 9 a.m. to 5 p.m. Saturday and 11 a.m. to 4 p.m. Sunday. Guests can pick up a passport at any location, have it stamped at all locations, and be entered into a drawing for prizes. Each studio also holds raffles in support of various local charities, including radio station WMNF.

The Tour allows visitors to see the artists’ studios, learn how the pieces are made, participate in the excitement of watching pieces emerge from the kiln—and learn some math and science in the process.

The Tour is listed in south-to-north order, with kiln openings scheduled accordingly. Visitors can start at any point and create their own tour.

Demonstrations, music, and other events are scheduled throughout both days.

·      PotteryBoys Clay Studios, 30 Bogie Lane, Palm Harbor; 727-736-4870. potteryboys.com and www.crystallineboys.com. Kiln opening at 9 a.m. Saturday. Owners Glenn Woods and Keith Herbrand; guest artists Cory McCrory, William Kidd, Chuck Solberg, and Teresa Testa.

·      Clay andPaper Studio, 110 Peterson Ave., Palm Harbor; 727-772-9570. claypaper.com. Kiln opening at 10:30 a.m. Saturday. Owner Ira Burhans; guest artists Alan Bennett and Brenda McMahon.

·      HiddenLake Pottery, 16705 Hutchinson Rd., Odessa; 813-920-4341. Facebook page online. Kiln opening at 2 p.m. Saturday. Owners Kim Kirchman and Mark Fehl; guest artists Chuck McGee, LC McGee, Kimberli Cummings, McKenzie Smith, Jonathan Barnes, and Trevor Dunn.

·      Wellmanand Welsch Pottery, 17202 Whirley Rd., Lutz; 813-961-7106. wellmanandwelschpottery.com. Kiln opening at 3 p.m. Saturday. Owners Harry Welsch and Kim Wellman; guest artists John Kellum, Laurie Landry, Charlie Parker, and Matt Schiemann.

·      SanAntonio Pottery, 11903 Curley Road, San Antonio; 352-588-4228. santantoniopottery.net. Kiln opening at 5 p.m. on Saturday. Owner Jack Boyle; guest artists Michele Ginouves, Hil-Dee Bates, Maggie Clark, Barbara Ott, and Joel Ott.